mixed media printmaking

Time to admire – gelatin printmaking

Gelatin Printmaking can be fast and furious. The process lends itself to pulling lots of prints and layers with minimal preparation.

abstract landscapes Linda Germain

It is easy to get lost in the process.

print cards with the gelatin plate

I often tell my students that it can be like a roller coaster of ups and downs. I may pull several pleasing impressions to be followed by several ugly prints.

gelatin prints by linda germain

To enjoy the roller coaster ride of gelatin printmaking:

  1. Know ahead of time that there will be prints you like and others you don’t
  2. Focus on the things you like, rather than the problems
  3. Take time to admire your successes. Pin it to the wall, stand back and enjoy.

Another tool I use to create success in my printmaking, is to embrace the 80/20 rule. If I get 2 outstanding prints out of 1o then I consider it a success. Those 8 other prints inform and create space for the magical pieces that I really love.

grass print by linda germain

If you want to create more pleasing gelatin prints, then join us in the online class, Monochromatic Mountains. Read all the details on the workshop page.

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3 reasons to take an online art class

I love taking art classes in person and online.

art workshop

When I need some inspiration for my art practice taking a class often helps me generate new ideas. Often the class is a new subject or technique. Or sometimes I take a class because I love the teacher and her philosophy stimulates my process.

workspace - linda germain

Recently, in person options have been limited, so online art classes have been my choice.

mountain scapes

Online workshops are great because:

  1. I have access to the lessons right from the comfort of my studio. No travel, traffic or parking challenges. I have all my tools readily available and I don’t have to pack up or lug supplies to the workshop location.
  2. More bang for my buck. Online classes are often much less expensive than an in person class. Also I enjoy the benefits of feedback and encouragement from a wider group of classmates. Influences of an international group of students in online classes is unique.
  3. I don’t have to take notes or worry about missing key skills. Most online workshops are downloadable or have lifetime access. So I can watch videos and do lessons over and over again. And each time I learn something new from the same material.

I hope I have encouraged you to check out online art classes to inspire and support your art practice.

If you are interested check out the current online art classes that I am offering.

monochromatic Mountains

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Magazines and books – sources of inspiration

Once or twice a year I get a stack of old magazines from a library or other recycling source.

Stencils from magazines

It is a treat to feast on the pictures and text. I cut stencils and roll pages into mark making tools, make collages and more.

book as photo subject

I go through the magazines several different times for collage and drawing projects.

cut up book pages for collage
cut out word poems

Parts of the magazine that inspire me:

  1. Words – for found poems and collages
  2. Fonts – for drawing
  3. Photos for drawing references
  4. Thumbnails of larger pictures – composition ides
  5. Illustrations – for drawing ideas
  6. Figures and silhouettes for stencil making

poems from magazines

So go to your library or recycling center and get a stack of magazines and make stuff. The images and words that you find are a jumping off place for your own uniques expression. Twist, crop and rearrange the words and images to make something new.

Make some origami boxes – There is a free tutorial here.

origami box from magazines

 

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Masking stencil combined with soft foam plates

I think a combination of different quality of marks often creates a more interesting print.

soft foam plate relief prints

Foam plate relief printing often creates solid white line kind of mark. You can create variety in the line quality by drawing the plates with different kinds of tools.

In the print above I used a pen, pen cap and found weeds to make the foam plates on the left. But to create the bolder marks on the right I combined a solid plate with “masking stencils.” I used plant material for the lower right image and cut paper stencils to create the shapes on the upper right side.

masking stencils for printmaking without a press

Masking stencils like those shown above are not usually used in relief printing. But if they are super flat they can be combined with a plain unmarked foam plate with pleasing results.

Foam plate monoprint on paper - Linda Germain

I thought of this combination of materials, because as a gelatin printmaker I have stacks and stacks of masking stencils.

So as you work on creating your mixed media prints be open to combining processes and materials in new and unconventional ways.

Multi color Foam relief print Linda Germain

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What to draw when it feels like work?

If you are like me and don’t really like to draw, then it can be challenging to come up with ideas for drawing subjects.

sketchbooks linda germain

A few classic subjects:

  • self portraits
  • fruit and veggies
  • flowers

self portrait linda germain

I think the important thing is that you are interested in the subject matter. That will make it easier to stay committed to the drawing. Most recently I have been distilling my marks down to basic shapes.

mark making in sketchbook

I think it helps to give your self permission to draw the same thing over and over again.

A couple of more topics:

  • Studio tools
  • Jars, cups and vessels
  • Buildings
  • Birds

shadow shape inspired drawing

So if drawing feels like work to you, don’t give up. Just keep trying new approaches:

  • new subject matter
  • use small pages or notebooks
  • try meditative marks

If you would like to explore some meditative mark making and learn a few book forms, then check out the current workshops being offered.

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