mixed media printmaking

Stamp some marks

Why I like to work with tiny foam stamps:

They are fast and easy to make. You just need sticky back foam sheets and something to stick it to. I like to use recycled styrofoam produce trays. But you can use sturdy thin cardboard too.

supplies for making foam stamps

The stamped image can be simple but still impactful. Sometimes geometric shapes and patterns are enough. I like to keep the stamps small so they are easy to ink and print.

It can be addictive to make piles and piles of stamps. And yet they take up very little space and are quite easy to store.

tiny foam stamps by linda germain

I like to keep a sample book with a record of stamps that I have already made especially the word stamps.

They are easy to ink and print. I like to use broad nibbed markers. This avoids the need to buy a bunch of stamp pads that just dry out too fast. I can even use more than one color at a time.

foam stamp image

It is easy to make impressions of different values rather quickly. This can add depth to the print.

And they dry quickly and support the flow of working in my sketchbook.

foam stamping in sketchbook

I invite you to explore tiny stamp making with me. Read all the details of the new Stamp Making and Mixed Media Workshop.

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Just Make Marks

I am learning that it is enough to just make marks. Joyful marks are even better.

mixed media journal page

Sometimes I can get caught up in needing to know why. Then I usually get stalled by the thinking in my head.

artist book page

The thing is when I just make marks and then more marks and then even more the result is a piece that is uniquely mine.

There is plenty of time in the domain of not knowing. There is some time when the marks seem precious.

When I can accept these states:

  • not knowing
  • dissatisfaction
  • preciousness
  • exploration

then I often get to a place of discovery or satisfaction.

mixed media printmaking

My new favorite mark is spraying pigment through found “stencils.” I diluted watercolor and put the mixture into a small spray bottle.

watercolor in spray bottles

If you try this method be sure to protect your table from the over spray. I love how fast it dries and how transparent the layers are.

found stencils for spritzing technique

All my classes are about mark making of some sort. See if there is one class that interests you.

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Consider not knowing – OK

Often I like to know how things are going to play out.

  • How the impression will print
  • How the marks will work together
  • How the colors will combine

black out poem

But this wanting to know ahead of time can stifle creative exploration. So I try to remind myself to:

“Let go and see what happens. It is only a piece of paper.”

gelatin monotype

When I can suspend the need to know and embrace the attitude of play, then new ideas often show up. It can take some time and warm up exercises to move beyond the need to know. That is one reason that I love the gelatin printmaking process. It is easy to grab:

  • a couple of stencils
  • stamping tools and
  • a stack of paper and start printing.

The feedback I get is immediate and I can quickly adjust my approach to change the results. I say if I get 2 out of 10 prints that I like then that is a success.

artist book

What about you? Do you allow yourself the space and time to venture into the unknown? Try it out next printing session and see what happens.

enzo in artist book

Check out the self study workshops that are available now. And jump into creating and not knowing.

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Try something new or different

I have been making painted pages and collages lately. It is a bit new and different for me.

mixed media collage

Experimenting with a new technique or material can breathe new life into your art making practice. It might be a great way to stimulate ideas for your next series or project.

collaged houses

Or you could find a way to integrate new skills into your traditional practice.

gelatin print on painted book page

Are you inspired by images that you see online? Ask yourself what is the quality that you admire and then see if there is a way to bring that quality into your work.

It could be:

  • the subject matter
  • the shape, color or simplicity or
  • the medium or format

I encourage you today play with something new or different and then notice if it stimulates something in your practice.

An art class is one way to try something new, check out the current workshops and see if any are a good fit for you.

mixed media collage

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Get closer

On my daily walks, I often take a few steps off the path to get closer to a tree, some moss, or a branch.

walk by the lake

I think, if I pause and really notice nature it will give me ideas for my art making.

look up a tree

I often have my phone available to take pictures. I want to remember the colors, texture and mood that I am feeling.  Sometimes I can capture the moment, but often the photo is lacking.

So I decided to savor the time in the woods and not to worry about bringing it back to the studio. The daily walk can inform my mark making rather than be a photographic reference.

beautiful decaying tree

Getting super close to textures and patterns turns the everyday into abstraction. This can spark creative ideas. These ideas don’t have to be literal or linear.

That is where I got the idea to create the mixed media class, Torn Trees.  After being surrounded be trees on my walks, decided to play with printing some. My first inspiration was the tall pine trees with nubby branches that stand on the hill by the lake.

pine trees by the lake

These abstract tree prints are about using shape, line and texture to create a feel of the forest.  I suggest that you get closer to nature in your day and see what it does for your creativity.

abstract trees - gelatin plate print

If you would like to play with printing, collaging and drawing to make abstract forests, then check out the details on the Torn Trees Workshop page.

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