inspiration

A little art making everyday

Do you have expectations about what your art practice should be?

gelatin print by linda germain

I do. I often get stuck in my tag line, printmaking without a press. Hmm? So does that mean I can’t draw, paint or make books?

abstract doodles

I am trying to shed that limiting belief. It is challenging.

What does it indicate when I don’t feel like printing and would rather draw or paint?

feelings collage

I am trying hard to roll with the different interests and to trust that it will lead to a new artistic expression. I am embracing the idea of trusting the process and that the product will be revealed.

It is hard to be in between things, not knowing the end result.

drawing on old book page

I have tried to force myself to do old practices to see if they could stimulate interest and desire to print, but they have not worked that way. I think the important action I can take is to keep trying different approaches and to embrace an attitude of patience with the process.

If you are in between things, sometimes taking a class can give you a boost. Check out the current workshops that are available.

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Try something new or different

I have been making painted pages and collages lately. It is a bit new and different for me.

mixed media collage

Experimenting with a new technique or material can breathe new life into your art making practice. It might be a great way to stimulate ideas for your next series or project.

collaged houses

Or you could find a way to integrate new skills into your traditional practice.

gelatin print on painted book page

Are you inspired by images that you see online? Ask yourself what is the quality that you admire and then see if there is a way to bring that quality into your work.

It could be:

  • the subject matter
  • the shape, color or simplicity or
  • the medium or format

I encourage you today play with something new or different and then notice if it stimulates something in your practice.

An art class is one way to try something new, check out the current workshops and see if any are a good fit for you.

mixed media collage

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Find things that feel good

Lately, I have been noticing and choosing habits and tools that feel good. For example, I have experimented with different book forms for my sketchbook. And the one that suits my approach to sketch booking is a soft cover coptic stitch 4.5″ x 6″.

sketching by the lake

This book is:

  • small enough to carry on my daily walks
  • flexible and can be folded to lie flat on any page
  • expands a bit to accommodate some collage

drawing tools

I have been looking for soft drawing tools that make strong marks with not too much pressure required.

I found:

  • a black gel pen at the dollar tree store that flows smoothly and is water resistant
  • black sharpie gives a bolder line with little effort
  • Crayola watercolor pencil is easy to make marks with
  • China markers require a little more effort but I like the water resistant quality

mark making papers

I am trying on the daily practice of drawing enso, Zen circles, the meditative circle drawing in a single exhale. I like the idea of connecting with my breath. Now, I have a lot of black circles, so I have been playing with adding color for fun. I experimented with different brushes, to find one that felt good in my hand and created an expressive line.

modified paint brushes for mark making

Even trying out new habits is a way of finding ways to feel good. I often start a method, and then tweak it to my liking. That is why I am playing with adding color to my Ensos.

enos, zen circle with water color

I encourage you to look at your mark making tools and habits and ask:

Does this feel good? Can I do this with ease? And find little things that work for you.

Sometimes an art class can stimulate new habits, if that interests you then check out the current online art classes.

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Inspiration and action

I think creating takes both inspiration and action.

abstract birch trees

It is important to give yourself time for each. This might take a little patience.

I sometimes have an internal conflict when I am in inspiration mode and really want to be in action mode. Or the other way around. This is when I try to pause and remind myself to give me time and space.

leaves on the ground

On the inspiration end, I

  • Take walks in the woods
  • Browse Pinterest and
  • Go to Museums or galleries

To get into action mode, I

  • Set up my studio space ahead of time
  • Use a 20 minute timer
  • Do daily mark making

In between inspiration and action, I think there is an incubation period. This is the magical time when ideas develop into expression. You may not know how the evolution happens, but at some point marks, images and ideas seem to fall into place.

mixed media print

I encourage you to notice your cycle of making. This noticing helps me go with the flow in those quiet times of incubation.

Coming soon, the Torn Trees Workshop. It is an online mixed media class. We will use gelatin printmaking, collage and mark making to build abstract forests. Get all the details on the workshop page.

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Get closer

On my daily walks, I often take a few steps off the path to get closer to a tree, some moss, or a branch.

walk by the lake

I think, if I pause and really notice nature it will give me ideas for my art making.

look up a tree

I often have my phone available to take pictures. I want to remember the colors, texture and mood that I am feeling.  Sometimes I can capture the moment, but often the photo is lacking.

So I decided to savor the time in the woods and not to worry about bringing it back to the studio. The daily walk can inform my mark making rather than be a photographic reference.

beautiful decaying tree

Getting super close to textures and patterns turns the everyday into abstraction. This can spark creative ideas. These ideas don’t have to be literal or linear.

That is where I got the idea to create the mixed media class, Torn Trees.  After being surrounded be trees on my walks, decided to play with printing some. My first inspiration was the tall pine trees with nubby branches that stand on the hill by the lake.

pine trees by the lake

These abstract tree prints are about using shape, line and texture to create a feel of the forest.  I suggest that you get closer to nature in your day and see what it does for your creativity.

abstract trees - gelatin plate print

If you would like to play with printing, collaging and drawing to make abstract forests, then check out the details on the Torn Trees Workshop page.

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