artist book

Looking at Faces

I have been playing with quick sketches of faces.

loose portrait sketch

I think my seeing is improving. I am starting to see the different shapes that the facial features can take.stylized portrait

I practice my “seeing” the shape of eyes, nose and mouth, as I watch videos and talk to people. I am enjoying this relaxed way of learning.

crayon and watercolor portrait

I have been exploring different drawing materials. My current favorites:

  • Gray crayola crayon
  • Prang watercolors
  • Black gel penportrait with crayon and watercolor

I like to work in 2 or 3 small notebooks at one time. That way the watercolors have time to dry. I have bound a bunch of Enso’s that I did earlier this year. I was wondering what I was going to do with all those zen circles.

zen circles - enso

They are painted on 90 lb. drawing paper and the paper is a little warped, but I was still pretty successful in using the double fan glue binding to hold 20 pages together.

If you have a lot of single sheet papers that you would like to bind into a book, then check out the class Bound Prints. I teach you how to use the glue based, double fan binding.

artist book

Enjoy!

Looking at Faces Read More »

Tiny house collage with book pages

I wanted to share a quick little collage project that I did with the margins of old book pages. This is a fun thing to make when you are stopped and don’t know where to begin.

tiny house collage

Materials needed:

  • Book pages with various shades of white and yellow
  • Glue and scissors
  • Colored paper or book cloth
  • Pencil, pen or markers

I am sure you have most of these supplies in your studio. Watch the video and build a village!

If you would like to explore more ways to use books in your art practice, then check out the online course, Books as ART Materials. Class starts soon.

Tiny house collage with book pages Read More »

Binding prints into books

I have so many gelatin prints, and I am always looking for ways to use them. For the past few months I have been using lots of prints to make small soft cover journals.

piles of gelatin prints

I have experimented with using a print every other page and also made books with just a few prints and more blank pages.

handmade gratitude journal

I used a few as a gratitude journal.

tiny handmade sketchbook

And another as a tiny sketchbook.

My nephew used his to practice his Japanese.

double fan bound note book

I did make a few with hardcovers. The hardcover does elevate the feel of the journal and is good if I am making a more precious book of prints.

handmade books with double fan binding

I like this book form because:

  • It is great for single sheet prints
  • It can be used for prints with inky/messy backside
  • It opens pretty flat
  • I can use up a lot of prints

If you would like to explore this book form, then join us in the online Bound Prints Workshop. Get all the details and register here.

Binding prints into books Read More »

Waiting is challenging

I have been exploring some new book forms. I am binding gelatin prints into soft cover books and then using them like a journal.

artist books by linda germain

I am very pleased with the double fan book. It is a glued form that is good for single sheets of paper. This works well for all the 5″ x 7″ prints that I have been making in the last few years.

small gelatin plate monotype prints

The more books that I make the more I start to follow the rules. Waiting for the glue to dry is so hard for me. I want to flip the book open and start using it right away. Or even just open and see if I glued it straight and square. But don’t do it! The flatter I can leave the wet gluey paper then the flatter it will dry.

double fan bound book

Rules I am trying to follow:

  1. Paper grain runs in line with the spine. My pages lay flatter when the grain of the paper runs vertically. This can be challenging when I am using old prints, that I created without reference to the paper grain.
  2. Use good book binding PVA glue. It is strong and has less water content. Things seem to dry flatter and smoother.
  3. Let everything dry completely, under pressure. Generally that means overnight. This is the hardest rule for me to follow. But it has the biggest pay off. When I let the book dry completely, then the pages lay flat and the spine seems to be stronger.

With the my version of the double fan binding there are 3 overnight waits. I am developing more patience.

soft cover book of gelatin prints

Are there parts of your practice that require

  • waiting
  • patience or
  • following rules?

Willingness to adjust the process, sometimes pays off with different results, like flatter more pleasing books.

If you need the recipe to make the long lasting gelatin plate, you can find it here.

Happy printing!

Waiting is challenging Read More »

Abundance and texture – Books as ART Materials

I wanted to share with you why I love using books as ART Materials.

Old books are:

  • tactile
  • intimate
  • abundant and
  • often nearly free

Books for making art collages

The pages can be the foundation for printing, painting collage and origami.

collage of book pages

But the parts that I love the most are:

  • the stuff that makes up the spine
  • the book cloth and
  • the book board

book as textural elements for collage

One old book can be the stimulus for many projects. If you thinks this sounds interesting, then gather some old, unwanted books and join us in the online class, Books as ART Materials.  Get all the details and register on the workshop page.

Abundance and texture – Books as ART Materials Read More »