artist book

The feel of your art

I like making artist’s books and journals because they can be held and touched. They are “precious” but can be felt and experienced in an intimate way.

make marks book linda germain

I can feel the:

  • texture of the paper
  • stickiness of the crayon
  • slickness of pen and pencil
  • smoothness of the ink

Somehow these feelings combine into a story or conversation. I think the layers of marks can become different stories for different viewers. That is what the books that I make with the techniques from the Make Marks Workshop is all about.  Creating stories through marks and layers that allow the viewer to come to unique conclusions.

artist book linda germain

Marks can evoke energy that was felt at the time of creation. The heaviness of the mark, or the light pencil scribble tells a different story. I think that the layering of marks overtime reveals the makers intent, that can be conscious or subconscious.

mark making book

As the maker, it can be a challenge it let things unfold. It can also be hard to share the end product with others.  I find it easier to share when my vulnerability is a bit hidden in the layers.

  • What about you?
  • Do you like to share your work?
  • Do you think books are too precious to handle?
  • Is the vulnerability hidden in your marks and layers?

If you would like to explore Mark Making and create an artist’s book, then check out all the details of the online class, Make Marks + Books.  You can save $25 this month, February 2025, now only $60 was $85.

make marks

The feel of your art Read More »

Join Me – New Class – stamp making

I am excited about the new class that starts October 25th. This class is about:

  • Making small stamps out of sticky backed foam
  • Slipknot book form
  • a gelatin print lesson and
  • a bit of collage

I love this combination of techniques. There is something for everyone. So you can choose a focus that fits your interest at this time.

slipknot book with gelatin print and collage

The slipknot binding is great for sketchbooking, because it can be flipped and folded to always lie flat. It takes a bit of thread management to link the pages together, but it is a pretty easy book form.

Gelatin monotype with stamping

I am including a gelatin print session so you will have prints to respond to with collage and stamping.

The collage lesson is just to get beyond the blank page.

slipknot bound books

Read all the details and join us in Stamp Making + Mixed Media Book Workshop.

Join Me – New Class – stamp making Read More »

Simple tools – bold marks

I love to keep the printmaking process simple and non-toxic. That is one reason that I enjoy gelatin printmaking so much.

simplified gelatin plate monotype prints

I also enjoy the easy printmaking process of relief printing. Sticky back foam and scissors make this even easier.

foam relief stamps

The simpler the design the more I like it. Stamp pads can be expensive and the ones I buy dry up too fast. I found a way to ink the foam plates with broad nib markers.

broad tip poster markers to ink foam relief plate

I can quickly print these stamps in books and on papers. I love that I can use limited supplies and have very little clean up. And because I am using water based markers to “ink” the foam stamps everything is dry very quickly.

foam stamps printed on book page

I have made quite a stack of little foam stamps over the last few weeks. Some inspired by nature walks.

tiny foam bird stamps by linda germain

I think small is good for this process, because they are easy to ink and print. I have made a few that are about 6″ long and I think that is big enough.

blue bell foam stamp

hand stamped cat print

Check out the self study printmaking classes that are available now.

 

Simple tools – bold marks Read More »

In and Out of the Studio

I think time outside of the studio, feeds what is created in the studio. What is your experience?

artist book relief prints

I often see shadows and leaves on my morning walks that I use as reference in my gelatin printmaking. I collect weeds and grasses to use as masking stencils too.

cast shadows great for drawing

Lately, I have been doing lots of line drawings of faces. Old photos have been the stimulus for some of these drawings. I have also been capturing new images of family members to use as reference.

stylized portrait

Even an extended vacation could inspire a new series or process.

gelatin prints bound into artist books

I just came back from Maine Media for a week long class, A Sense of Place with Isobel Lewis. I enjoyed exploring new book forms and printmaking methods.

If you are looking for a stay at home art vacation option, then check out the self study classes on my workshop page.

botanical gelatin plate monotype prints

In and Out of the Studio Read More »

Take an art vacation

I just got back from a week at Maine Media. Oh boy did I need to get away. And I am glad to be back in the studio with renewed energy and ideas.

tetra pak intaglio plates

I have joined in on some online courses this year and they have been stimulating too. But working in person with instructors and fellow artists offers another energy.

The class was “A Sense of Place” with Isobel Lewis. We explored Rockport Harbor on the first day and did several drawings to capture the feel and essence. Luckily it was a sunny spring day.

rockport harbor

We spent the week making marks and working the papers into several different book forms.

accordion book

The book above was formed with 4 Tetra Pak intaglio prints. I love the loose threads that symbolize the ropes and lines of the boating community.

tetra pak print by Linda Germain

Enjoy a short video of a single sheet accordion book that a made during the week.

Consider giving yourself the gift of an art vacation. Some of the places that I have enjoyed:

Check your local art schools for more options.

 

Take an art vacation Read More »