Balancing Act – Know when to stop Layering – Gelatin Print
Do you ever take that gelatin plate print one step too far and then regret it? I know I do. But I try to not let this fear of wrecking the piece stop me.
Printmaking without a Press
- gives me freedom to work at home or in a smaller space
- Is usually a faster process that allows for
- quick learning about technique and design
Move through the Fear and Play
- Stop printing if you really love it
- Wait a day to see if you need to add a final pop to the gelatin print
- Maybe add that “pop” by hand or with a more predictable technique
- Make extra prints so you can take risks on the ones that you like but don’t love
Share the Link Love Friday
- http://www.geninne.com Geninne’s Art Blog, she has wonderful illustrations, stamping tutorials and a new book just out Avian Friends Activity Journal.
- http://thecardboardcollective.com Be inspired to shade yourself from the sun with this paper bag hat! Many other patterns and plans for making stuff with cardboard.
- RAE MISSIGMAN is part of the 21 Secrets Art Journaling course. I just signed up and I watched her videos and made a recycled coptic stitch book with no tears or frustration. Her video was very easy to follow. I watched it once and then made the book parts and then watched it again as I sewed the gelatin print signatures to the old Nancy Drew Book. Here’s a video of my coptic stitch book for the go green project.
4. Well this is not a blog but it is a Kickstarter Project that caught my eye. So I share it here for you. The concept and the aesthetic speak to me. I know that I can take away and benefit from artists who are similar but different than me. So I share Ubuntu Handline Portfolio and a Kickstarter project.
5. Another mixed printmaker from New England who uses the gelli plate and collage to make delicate and expressive monotype prints Roberta Warshaw.
Happy Printing!
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