See Shadows and Shapes – Printmaking Skill

I love the process of printing and discovering what happens when I layer and combine different kinds of marks.

mixed media print by linda germain

That is just one part of the process of printing. Other elements of mixed media printmaking could be:

  • Collecting ideas and subject matter
  • Drawing or creating a matrix (stencil/image/plate)
  • Proofing and testing the matrix
  • Cropping, combining and framing the final image

I think different people are interested in different parts of the process. Some folks love drawing and planning and others love the finishing and framing.

turn photos into masking stencils

Stencils can be a quick way to get to the printing and playing part of the process. Stencils can be:

  • Simple torn paper
  • Flat found objects
  • Magazine cut outs

And of course stencils can be more complex images such as:

  • Delicate Tyvek® cuttings
  • Exposed emulsion screens

shadows make great stencils

My collection of stencils started out as a few paper doll like dresses and threads. And now I have more stencils and ideas than I can use.

simple dress stencil linda germain

  • What element of printmaking is your favorite?
  • Do you want to improve your stencil making skills?
  • And get printing fast?
  • Check out the workshops for current offerings

gelatin prints by linda germain

 

 

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Stencils a fast and easy way to get into printmaking

Stencils are a quick way to get started with printmaking techniques.

masking stencils for printmaking without a press

They can be combined with other tools:

  • Add them to a screen for screen printing
  • Use them with the gelatin plate to make monotype prints
  • Adhere them to fabric for fabric printing

stenciling on fabric

Then can be used with or without a press. And can be created or found.

Watch the video below and check out my stacks of stencils.

I see stencils as doing one of 2 things:
  1. Masking stencil blocks the transfer of ink to the paper
  2. Traditional “hole” stencil lets ink pass through the “hole” to the paper

masking stencil and traditional hole stencil

I also use masking stencils to transfer ink to the plate or paper in a unique way when I am printing with the homemade gelatin and glycerin plate.

monotype printing with stencils and the gelatin plate

If you would love to explore stencils, designing them, making them and using them then check out the details of the Make Stencils Workshop, starts July 30th.

The online printmaking class:

  • 4 wk Stencil Making Course
  • 20 lessons – 34 videos
  • 6 month access or download for life

Hope to see you in class soon.
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Sampler book from Mixed Media Printmakers Retreat

The Mixed Media Printmakers Retreat is designed to meet you where you are in your mixed printmaking process.

Then add a few new skills to reform and shape some of your prints and papers into books and mixed media prints.

mixed media board book by linda germain

In preparation for the course, I did a little sample book that included several of the processes that we will be using,

  • Rusting paper or prints
  • pamphlet stitch book form
  • Wax rubbings
  • Tissue paper collage
  • Gesso transfers
  • Stitching without thread
  • Smoking, burning
  • Text as texture
  • Trace monoprint
  • accordion fold

You still have time to join this online class.

Read the details on the workshop page.

Class is 2 weeks long and is designed to help you dedicate a concentrated effort to your art practice.
And you have access to the classroom for at least a year.

Get inspired! Give your pile of prints new life!

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Space + Time + tools = FUN

This was my TO DO list today.

space time tools fun

I needed to

  • make some space on my workbench
  • take the time to play with the woodblock that I made last week in class
  • gather the tools for my experiments.
  • Then most importantly let it be FUN!

If you are having trouble getting started with you next art making project try out the “Space + Time + Tools = FUN” formula.

abstract woodblock prints by linda germain

Often we can be distracted from making art because we think that we do not have:

  • Enough space
  • Any time
  • Right Tools

That might be true, but if you really want to make art you can often find the time and space and then use the tools that you do have.

For example, woodblock printing is new to me. After taking a workshop at MassART with Lisa Houck, I wanted to continue to experiment with the blocks that I had made.

mixed media board book by linda germain

Even before the 2 day workshop started I hunted through my stuff for carving tools, wood, watercolors and paper. I borrowed watercolors from a friend and made do with the paper and tools that I had.

The thing that was going to stop me was time!

I reminded myself to “feed” my art habit first, then I would be in a space to share what I learn with others. [Like the oxygen mask in a crashing plane scenario. :)]

mixed media printmakers retreat with linda germain

This kind of support, sharing and structure is what I hope to give you in the Mixed Media Printmakers Online Retreat. I want to help you find the space, time and tools to have some fun with printing, collaging and bookmaking.

I think that this kind of supported action will help to feed your art practice.

Read the details on the printmaking workshop page and join us today. Class starts July 7th.

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Writing to assist your ART making

  • Do you use text in your art work?
  • Do you write “morning pages”?
  • Do you scribble to it is illegible?
  • Or can you create beautiful fonts by hand?

printing over handwriting

I am a scribbler. I do a form of morning writing. And I love to use text as a textural element to draw the viewer into my work.

Morning pages my way

I have taken classes that encouraged writing to inform, understand or jumpstart a process/series.

artist book with text

Writing about your process or inspiration can help you to talk to others about your art. When they understand your art, then they will appreciate it more.

text on a journal cover

People are drawn to text. They want to read it.

black out poem

I noticed that I read the description cards at the museum. Sometimes I spend more time reading the card than looking at the art. Then the text is getting in the way of my direct experience. So I try to look at the art first and them maybe read a bit of the info card.

notes in a sketch book

I challenge you to try using text/writing to:

  • draw the viewer in
  • create a pattern or shape
  • build texture and not words
  • instill some mystery
  • capture a memory
  • hide or cover something
  • explain a juxtaposition

over writing to create texture

If you would like to explore several ways of adding text to your work, then consider joining the Mixed media printmaker’s online retreat.

Class starts July 7th and you will have at least 6 more months access to the classroom. Read the details on the workshop page.

text and coffee stains as basis for printmaking

Check  out my gallery of work with text as element of design.

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