Mixed Media Printmaking Blog

Another day of Tetra Pak Printing

techniques / Linda Germain / May 15, 2019

I spent the day making collagraph/intaglio plates with the Tetra Pak packaging.

Those are the plates above. The inside of the package is sliver and slippery. I drew lines with an etching needle and cut away the sliver layer and pulled it off to get the solid black areas.

I played with discovering the kind of marks that I like. I did print this leaf as a line drawing first and the pulled off the background to make the bold shape print.

I folded the packaging to create the creases in the funky print below.

I am loving the bold shapes and strong black impressions created by removing the sliver layer of the tetra pak.

I used Akua Intaglio inks and Arnhem 1618 printmaking paper.

I reworked the plates as I went along. I could cut the plate or cut away more as I went along.

I cut off the top and bottom of the plate and reoriented the print and it made a big difference. I love learning new approaches and techniques.

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Tetra Pak intaglio prints

techniques / Linda Germain / May 14, 2019

I found a tutorial and another here on Tetra Pak Collograph/Intaglio. I did some more searching online about the process and just had to give it a try.

Tetra Pak is a composite packaging system. I found broth, soups, milks, and juices at the grocery store and even some things at the Dollar Tree store.

So emptied and rinsed the containers and cut them apart. One of the things that I love about these style of prints it that the folds in the package can be part of the print.

I quickly made some line marks with an etching needle and used Akua Intaglio ink to ink the plate.

Above you can see the test prints and marks. To get bold black area, I cut into the silver layer of the package and removed it, leaving soft paper surface that holds a lot of ink.

I used my little Xpress Xcut embossing machine to print the plate. It was a fun process to try. But I was reminded why I prefer to use water based inks and print without a press.

The process is messy, slow and I have to wear gloves and try to be neat.

I think I will try it again, when I have a good image for the process.

See more Tetra Pak Prints by other artists on my Printmaking Inspiration Board on Pinterest.

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5 places to get Tyvek® for making stencils

monotype print / Linda Germain / May 13, 2019

Tyvek® is great for making stencils. So what is it and where can I get some?

It is a brand of flashspun high-density polyethylene fibers, a synthetic material; the name is a registered trademark of the DuPont company, known for their production of chemicals and textiles. Tyvek® is often used as housewrap, a synthetic material used to protect buildings during construction.

I comes in different weights and structures for different uses. Check out the DuPont site for all that info.

You can find Tyvek®:

Construction site dumpster – house wrap. Or if you need a lot check out a hardware store for Tyvek® house wrap.
Staples + Office supplies stores sell Tyvek® envelopes. This is an affordable option if you can buy them in small quantities.
Staples sells – JAM tyvek paper
USPS – Uses Tyvek® envelops for their priority mail service – You could recycle those envelopes.
Material Concepts – is an online seller of Tyvek® and sometimes you can get odd lot rolls – their Excess Inventory for a reasonable price.
Get creative, tell your friends that you need Tyvek® for your art. Look for things that are made with tyvek that you could repurpose.

Be inspired by Beatrice Coron – a paper cutting artist, who uses a lot of Tyvek®.

If you want to learn more about making stencils from Tyvek® and other materials, then join us in the online class, Hand Printed Cards. Class is starting soon.

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Stay Motivated – 8 ways

inspiration / Linda Germain / May 6, 2019

Sometimes you need a little inspiration to feed your art practice.

I have been feeding my art practice in many ways these past few weeks and I am beginning to feel renewed. My mind is buzzing with new ideas. So I share these motivating activities with you hoping that they might help you too.

1 – Take walks and notice the beauty

Whether I do the bridge to bridge loop in the city or the woods and lake trail, I always return to the studio with new energy. So squeeze in a walk and see what happens.

2 – Embrace the seasonal changes

Spring in New England overs new growth and new colors. Play with the colors of the season.

3 – Be with Happy People

I am lucky to enjoy the company of my twin nephews a couple times a week. You will be amazed at how much the creative energy of young people can give you new energy too.

4 – Take a Art Class

I love taking classes and I always find a way to incorporate something into my art practice. Right now I am enjoying Fine Art Collage with Melinda Tidwell. I am dreaming about shapes! Check out the workshops that I am currently offering.

5 – Get some new supplies

I always love the hunt for new “supplies.” Often they are found object stamping tools. But these days I am into using that parts of hard cover books. I got all these books for $5 at a local library sale. Happy happy!

This is one of my recent collages, made with book parts.

6 – Use up some supplies

I have stack of monoprinted fabric. So I quickly made a new pillow cover. I used some to make book cloth to cover a big paper weight.

7 – Watch an art documentary

I found some Rex Ray images on Pinterest a while back. And was reminded of his style in the collage class. Then I found this documentary on PBS. I was inspired by how real he seemed to be. So whether it is Rex Ray or another artist, do a web search for art documentaries.

8 – Doodle in your sketchbook

I do this most mornings with my coffee. And most of the time it is not much of anything. It is an Artist’s Way style of brain dump.

My Rex Ray inspired collage

Monoprinted fabric with masking tape stencils

I hope I have shared something that will help you renew your energy and art practice. Enjoy!

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Fun with gel prints and the Drum Leaf binding

artist book / Linda Germain / April 15, 2019

I just had a wonderful weekend at Maine Media Workshops in Rockport Maine.

I took a 2 day class with Todd Pattison on drum leaf binding.

The beauty of the drum leaf binding is that:

quick and easy {relatively so :)}
no sewing needed
opens flat
shows off a full page print

I was able to use gelatin prints that I had made on different paper weights.

The two prints on the top were made with a thicker paper and Akua inks, the one on the right edge was 90 lb. sulphite drawing paper and the one in the foreground was a mat photo paper.

I am off to the studio to make a few more books to really cement my learning into my muscles.

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