Use Tyvek® to make strong stencils

Stencils are one of the main tools that I use when gelatin printing.

stencils made from tyvek for printmaking by linda germain

I use stencils to:

  • block the transfer of ink (masking stencil)
  • shape the transfer of ink through holes in the stencil(traditional hole stencil)
  • define and transfer ink in the shape of the masking stencil

A few years ago I took a class with Beatrice Coron, a paper cutting artist, who uses Tyvek® a lot. Check out her TED talk.

Since then I have enjoyed using Tyvek® stencils. And I think that the combination of strong Tyvek® stencils and malleable gelatin and glycerin plate allows for some unique mark making.

Get support from an online class. Check out the current offerings on the printmaking workshop page.

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Limits can create structure

I am still pursuing the idea of simplifying my studio and printmaking process.

gelatin plate monotype print by linda germain

I started by cleaning my space and limiting my tools. This helps to clear my mind and start fresh.

fresh gelatin plate for printing

Once I get printing it is a challenge to keep the tools and space clear and clean. But I think that the time spent staying organized may create a fresh perspective.

When I first started gelatin printmaking, I started with simple stencils like threads and circles. These stencils still appeal to me. The “boundary” of these limited stencils open the way for a new level of abstract design.

Ask yourself:

  • Have you wondered away from your roots?
  • Could benefit from cleaning your workspace or tools?
  • Does the idea of simplifying appeal to you?

Get support from an online class. Check out the current offerings on the printmaking workshop page.

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Easier instructions – Make the Gelatin & Glycerin plate

I am very pleased to share with you that I have simplified the instructions on how to make the glycerin and gelatin plate for making prints.

One of my students actually simplified the steps and has graciously given me permission to share with you her discovery.

supplies to make the gelatin and glycerin plate

I have found that I only need 3 boxes of gelatin, 2 bottles of glycerin and 2 cups of hot boiling water.

The new trick is to really let the gelatin and glycerin bloom, before adding the hot water. And then use the microwave or double boiler to finish dissolving.

You can get the full instructions and the video tutorial when you join the list.

If you are already on my list and you have lost the link and password, just start to fill out the box below as if you were joining, and you will get a message with the info that you need.

Make a Glycerin & Gelatin Printing Plate Now!
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If you are looking for some help making gelatin prints that you love, then you might be interested in the Gelatin Printmaking Workshop.

delicate gelatin plate monotype print

It is an online self study with more than 30 short videos teaching:

  • how to make and use stencils
  • find and alter stamping tool
  • control and modify inks
  • maintain the plate and much more.

Read the details on the printmaking workshop page.

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Be inspired by your own work

As I sort through stuff in my studio, I have been pleasantly surprised by some of my older prints and drawings.

watercolor painting of dog

I was reminded of:

  • ways that I fearlessly used tools
  • how I explored and exhausted a subject matter
  • to try it and see what happens
  • use non-traditional papers
  • made lots of prints get a few that I loved

mixed media screen print of fish

I found these gelatin prints and was reminded to work with an attitude of play and discovery.

horse print by linda germain

Here I freely scribbled with pastels to unify and complete this little gelatin plate monotype print. I am looking forward to add some scribble and play back into my daily practice.

gelatin print with sewing

Here I was reminder to get my sewing machine out, pull out the thread and make some perforated prints. I love the texture and surprise that thew sewn mark makes on paper.

blank face portrait

Here I thought about how much I like to simplify and make a few bold marks. And to even let the imperfection show through.

gelatin monotype with typed text

This gelatin plate monotype print was made on a stream of conscious style typed paper. Tells me to start playing with my old typewriter again.

I hope this encourages you to look through some of your older work with a sense of discovery.

Maybe you will how much your style has:

  • stayed the same
  • changed or developed.

Hopefully what you do find will make you smile.

Get support from an online class. Check out the current offerings on the printmaking workshop page.

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Let go of stuff you don’t use

Maybe it is the change of seasons, but I have had the urge to simplify my studio space. I have collected:

  • paints
  • pencils, pens
  • markers
  • cutting tools
  • mark making tools
  • stencils
  • brushes, sponges
  • books, papers
  • brayers and inks

workspace - linda germain

I want to:

  • go through my stuff
  • keep what I love and use
  • let go of the rest, that includes the “should” keep and “might use someday”

Now it has taken years to collect all this stuff, so I am going to be patient and give myself plenty of time to sort through it and let go of what I no longer want.

recycled storage containers

As a mixed media artist, I go through phases and try out different techniques and tools. Some processes I like and keep and others while it was fun to try, I know it will not be part of my daily process.

clean workbench linda germain

I couple of ways I approach the process:

  1. Sit in my  studio and look around. Notice what inspired me and what drags me down.
  2. Clean my main worktable. That gets me feeling good quickly
  3. Sort and purge stuff that is stored under tables. This is the stuff that I have not used in a while, so it must not be that important to me. This also creates “new” space to store stuff that I do use.
  4. Sort a little each day
  5. Take breaks and acknowledge the process that I have made
  6. Take pictures to document the process
  7. Even 5 or 10 minutes of sorting will create improvement

hand printed less is more print by linda germain

I hope you find some of these ideas helpful. Enjoy your studio!!!

Get support from an online class. Check out the current offerings on the printmaking workshop page.

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