Our Hands – as Focus

I am guessing that you have become more aware of your hands and what they touch in the last few weeks.


Image by Manuel Darío Fuentes Hernández from Pixabay

Hands are always with us, so often they can be the subject of drawing assignments in school.

drawing of hands linda germain

This is a hand drawing that I did in art class.

Hands can be intimidating too. They are complex and ever moving. Plus you need at least one hand to draw with and the other to pose.

I offer you this drawing challenge to you:

  1. Get a pen and paper
  2. Move and model your hand into different positions
  3. Do a loose line drawing of your hand
  4. ahhh, pause, breath
  5. Were you focused on the lines, wrinkles, and shapes of your hand?
  6. Repeat – Enjoy

counter drawing of hand

The goal of the drawing is not perfection or even realism.

If you are new to drawing your hand, then the goal is to slow down and start to see the 3 dimensional hand. And to begin to train your eyes and drawing hand to work together to flatten the 3-D to 2-D on paper.

open hand sketch

I actually like my wobbly, imperfect drawings. Somehow they feel “real” to me.

I hope you give it a try.

If you would like to explore more about line drawing and then using those drawings to make trace monoprints, then check out the upcoming online class, SEE, draw, Print. It starts April 17th, 2020.

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Out the window

As artists we choose what to include and exclude the the work that we create. It is our own selective vision. Our perspective is our gift.

Out the window drawings

I offer a challenge to you.

Use your window as a framing device. You could start the challenge by just drawing the window frame. This type of focused drawing will pull you into the present moment and you may even become peacefully lost in noticing the details of the window.

  • Keep it easy and fun
  • Embrace your style of line drawing
  • Look at the window frame constantly as you sketch

Then you might notice what is outside the window. It could be simple or more chaotic.

Out my window

It could be:

  • other buildings
  • landscape, sea or lake
  • trees, birds or people

Notice what you tend to focus on.

Do you take it all in? Or do you look at one element? For example in the rather boring and chaotic view from my window, I chose to take a few minutes and draw the tree in the lower right hand corner.

tree drawing linda germain

I enlarged the drawing and used it as a template to cut out a tree for a collage project.

collage tree

Have fun with this “Out the Window” idea.

  • Pause and see
  • Frame and capture
  • Complete and share

Enjoy!

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Dare to draw

I think it takes great bravery to draw “badly”. Sometimes I feel brave and sometimes I don’t. The only way that I become better at drawing is to draw more.

trace monoprint by linda germain
Line drawing trace monoprint

I doodle in notebooks. Sometimes, I do little quick sketches on index cards. And I am often surprised at how these little stolen moments of drawing pay off.

trace monoprint of sewing machine

As a mixed media printmaker drawing helps me to create expressive and personal tools and images. I have learned to love my wobbly lines and perfectly imperfect images.

female figure trace monoprint

Once in a while I will go to a drop in figure drawing session. And I usually end up with a couple of line drawings that I can use in my printmaking or book making project. The images above are trace monoprints, one on rusted paper and the other with added pastels.

I love how I can take a sketch and:

  • create a matrix for a trace monoprint
  • burn an eZscreen for screen printing
  • make a stencil for gelatin printmaking

This ability to use a drawing as a tool for printmaking helps me to like drawing a little bit more.

hand colored trace monoprints

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Go with the Flow – gelatin printmaking

Sometimes, I go to the workbench with a goal or expectation. And even after all these years of gelatin printing, sometimes I just have to let go of intended outcomes.

gelatin printmaking workspace

Gelatin Printmaking is a monotype printmaking process, meaning that every print is one of a kind. I can pull prints that are similar or use the same stencils, but they will never be exactly the same.

quick landscapes with the gelatin plate

That is what I love about gelatin printmaking. It is this process of working with the same stencils and tools over and over again that supports the “happy accidents”.

make lots of gelatin prints to get one you like

The “accidents” actually are possible, because the printmaker is willing to learn, to risk and to discover along the way. If you have not tried gelatin printmaking yet, then consider my FREE mini-course.

Happy Printing!

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Use what you have

As mixed media artists we collect things.

artist book with brown paper bag

We see the potential in the unwanted and cast off.

found stamping tools to use with gelatin printmaking

I need to remind myself to “use what I have” every once in a while. Have you ever surprised yourself by making a delicious soup, when there was “no food” in the kitchen.

When I glance around my studio I see:

  • I have plenty of time
  • I have many tables and plenty of space
  • Stencils, paper, prints and stamping tools
  • Printers, computers
  • Window to the street
  • Dad for company

Surely there is no need to shop for more stuff.

studio mess

One challenge that I love to give myself is to use what I already have. So I think I will take some time and sort through my space and stuff to find a focus for my next project.

black out poem in book page

What do you think? Could you find your next art project by examining what you already have?

Try it!

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