Tools to build your drawing skills

Drawing is a skill that:

  • can be learned
  • can be practiced
  • can have an expanded definition of what is possible and pleasing

books about drawing

I think some folks love to draw and others see it as a chore or challenge. I have a couple of tricks that I use to make it less of a chore.

#1 Expand your idea of what a good drawing is

line drawing of ear buds

If your skills are not where you want them to be just yet, then try to be gentle with yourself as you train your eye, hand and brain to all work together.

  • Look at line drawings by Matisse, Picasso, Ellsworth Kelly or other famous master. Hopefully you will notice a raw, authentic beauty in the characteristics of their line drawing. Check out my pinterest board of Master sketches.

#2 Use tracing as a tool

drawing with Matisse

With some hesitation, I suggest doing some tracing studies. Please use them as a tool and not a constant crutch. If it becomes a crutch that you use all the time, then your skills may stagnate. But if you can use it with restraint it may help you to see.

#3 Draw a bit each day and keep it fun

make your drawings work for you

Fun, quick and easy is important. And your daily practice will pay off. Sometimes, I have done quick little line drawings in a notebook and found it months later and been pleasantly surprised by the memories the drawing evokes.

  • Give yourself a reason to draw. My reason is so that I have imagery for making printing plates, templates and stencils for other printmaking processes.

block printing gives your drawings life

If you are interested in using your drawing more and learning how to make trace monoprints, then check out the details of the online class,  DRAW into Print.

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Our Hands – as Focus

I am guessing that you have become more aware of your hands and what they touch in the last few weeks.


Image by Manuel Darío Fuentes Hernández from Pixabay

Hands are always with us, so often they can be the subject of drawing assignments in school.

drawing of hands linda germain

This is a hand drawing that I did in art class.

Hands can be intimidating too. They are complex and ever moving. Plus you need at least one hand to draw with and the other to pose.

I offer you this drawing challenge to you:

  1. Get a pen and paper
  2. Move and model your hand into different positions
  3. Do a loose line drawing of your hand
  4. ahhh, pause, breath
  5. Were you focused on the lines, wrinkles, and shapes of your hand?
  6. Repeat – Enjoy

counter drawing of hand

The goal of the drawing is not perfection or even realism.

If you are new to drawing your hand, then the goal is to slow down and start to see the 3 dimensional hand. And to begin to train your eyes and drawing hand to work together to flatten the 3-D to 2-D on paper.

open hand sketch

I actually like my wobbly, imperfect drawings. Somehow they feel “real” to me.

I hope you give it a try.

If you would like to explore more about line drawing and then using those drawings to make trace monoprints, then check out the upcoming online class, SEE, draw, Print. It starts April 17th, 2020.

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Out the window

As artists we choose what to include and exclude the the work that we create. It is our own selective vision. Our perspective is our gift.

Out the window drawings

I offer a challenge to you.

Use your window as a framing device. You could start the challenge by just drawing the window frame. This type of focused drawing will pull you into the present moment and you may even become peacefully lost in noticing the details of the window.

  • Keep it easy and fun
  • Embrace your style of line drawing
  • Look at the window frame constantly as you sketch

Then you might notice what is outside the window. It could be simple or more chaotic.

Out my window

It could be:

  • other buildings
  • landscape, sea or lake
  • trees, birds or people

Notice what you tend to focus on.

Do you take it all in? Or do you look at one element? For example in the rather boring and chaotic view from my window, I chose to take a few minutes and draw the tree in the lower right hand corner.

tree drawing linda germain

I enlarged the drawing and used it as a template to cut out a tree for a collage project.

collage tree

Have fun with this “Out the Window” idea.

  • Pause and see
  • Frame and capture
  • Complete and share

Enjoy!

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Dare to draw

I think it takes great bravery to draw “badly”. Sometimes I feel brave and sometimes I don’t. The only way that I become better at drawing is to draw more.

trace monoprint by linda germain
Line drawing trace monoprint

I doodle in notebooks. Sometimes, I do little quick sketches on index cards. And I am often surprised at how these little stolen moments of drawing pay off.

trace monoprint of sewing machine

As a mixed media printmaker drawing helps me to create expressive and personal tools and images. I have learned to love my wobbly lines and perfectly imperfect images.

female figure trace monoprint

Once in a while I will go to a drop in figure drawing session. And I usually end up with a couple of line drawings that I can use in my printmaking or book making project. The images above are trace monoprints, one on rusted paper and the other with added pastels.

I love how I can take a sketch and:

  • create a matrix for a trace monoprint
  • burn an eZscreen for screen printing
  • make a stencil for gelatin printmaking

This ability to use a drawing as a tool for printmaking helps me to like drawing a little bit more.

hand colored trace monoprints

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Go with the Flow – gelatin printmaking

Sometimes, I go to the workbench with a goal or expectation. And even after all these years of gelatin printing, sometimes I just have to let go of intended outcomes.

gelatin printmaking workspace

Gelatin Printmaking is a monotype printmaking process, meaning that every print is one of a kind. I can pull prints that are similar or use the same stencils, but they will never be exactly the same.

quick landscapes with the gelatin plate

That is what I love about gelatin printmaking. It is this process of working with the same stencils and tools over and over again that supports the “happy accidents”.

make lots of gelatin prints to get one you like

The “accidents” actually are possible, because the printmaker is willing to learn, to risk and to discover along the way. If you have not tried gelatin printmaking yet, then consider my FREE mini-course.

Happy Printing!

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