I  make lots of less than perfect prints. I just know that is part of my process.

1 – One way that I revive a print is to scribble to create texture and support the focus.

The colored pencil scribbles in the print above create a sense of playful motion. This kind of fix mimics the playful way I like to print.

2 – I use a cropping window to create a compelling composition.

In the piece above I used a 2″ square window to hover over a pile of practice prints. I cut out a stack of squares and them combined them to create this thumbnail print. This process is great for building composition skills.

3 – Print a very dark layer as the final impression.

In the print above, again I had a random practice print of circles. It was just so so. I picked the figure and a couple of circle stencils to create a pleasing composition. Then I laid down a very dark blue, black layer and made this image. A final dark layer is often an easy way to fix an otherwise boring print.

Join me in an online printmaking workshop. READ the details about current offerings.

Paper is important to printmakers. It holds our impressions.

I like to use paper that allows me to print with abandon. If the paper is too precious, then I get afraid to make “mistakes.” And mistakes are where the magic happens.

 

So my go to paper for gelatin printmaking is 90 lb. sulphite drawing paper. I now buy the ream of 12″ x 18″. Then I can cut the paper into specific sizes for printing and bookmaking.

Another inexpensive paper that I have used it Staples Cover Stock. It is absorbent and sturdy.

FREE paper is another favorite. I like to white wash old book pages with acrylic paint or printing ink, then I start with a textural surface that creates a layer of interest.

When gelatin printing, it is often important that the paper is absorbent and picks up the ink easily.

I have printed on:

• old maps
• tissue paper
• children board books

I encourage you to consider that papers you print on. And see if the paper supports your artistic vision. Also try printing on some new and different papers that allow you to playfully approach printmaking.

Check out the online printmaking classes available now.

Gelatin Printmaking is experimental and unpredictable. But the more you print and play, the sooner you will develop your own expression of the monotype process.

I have been exploring the process since 2008. And I still come up with new ideas, tools and techniques.

1 – Print with lots of light layers

This post has examples of printing with thin light layers to create rich prints with depth.

2 – One way to create successful prints

Here, I share a couple of ways that I structure a printing session to create pleasing prints. READ and try it.

3 – Commom “mistakes” and quick fixes

Check out this post, I share steps to get beyond slumps and mistakes that we can fall into when gelatin printmaking.

If you make the most growth when you have the support of a class then check out the current offerings on the Printmaking Workshops page.