Collecting books – as art materials

I love to recycle and reuse stuff as art supplies. This is pretty easy to do as a paper based artist.

books as art supplies

Books as ART Materials is an online class that starts soon. I am getting ready for class and realized that I have 5 big boxes of books, book parts and sample pieces. Hmmm?

collect books make art

Most books will have some positive quality:

  • great cover cloth
  • strong book board
  • wonderfully aged pages
  • spine bits and aparts

If you are thinking about joining us in Books as ART Materials, then now is a good time to start collecting old books.

Qualities and features to look for in old books:

  • Old but not precious
  • music book
  • big kids book
  • cloth covers
  • foreign language
  • dictionary
  • any book that inspires you

book pages as collage material

I hope you have the time to join us in this online class. You could start re-purposing a book today and create some found word poems. This can be very meditative is you approach it with a playful sense of discovery.

found poems

Enjoy!

READ the details about the online class – Books as ART Materials

 

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3 Uses for Glycerin – printmaking

Whenever I am at my local big box store, I always check to see if they have glycerin in stock. And if they do I buy a couple of bottles.

supplies to make the gelatin and glycerin plate

With pandemic many folks are using glycerin to make hand sanitizer, so it can be challenging to find.

1 – Make a long lasting gelatin plate

I use 2 bottles of glycerin to make the homemade gelatin plate. This is a malleable printing plate that is great for making monotypes with out a printing press.pour the gelatin plate

You can get the FREE recipe and make your own printing plate here. With some time and playful practice you will be making your own beautiful monotype prints.

delicate gelatin plate monotype print by linda germain

2 – Use glycerin to preserve botanicals

I use a lot of leaves and ferns as masking stencils. Some of these materials I have had for years because I preserved them in a glycerin and water bath.

glycerin and water to preserve leaves

Leaves and ferns can last for years and be used to make lovely monotype impressions. Try it! Get some instructions here.

gelatin plate monotype print by linda germain

3 – Use glycerin as a retarder with Speedball Water based block printing ink

For some reason retarder is a little bit expensive and only sold in smaller tubes. But luckily one of my students told me that a few drops of glycerin can be used to slow the drying time of the Speedball water based inks.

glycerin as a retarder

I use it for this purpose when I make trace monotype prints. I works nicely to keep the ink alive and workable.

gestural trace monotype

If you are interested in learning more about printmaking without a press, then check out the current online classes.

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Let the wilderness support your art practice

Most recently I have been giving myself permission to sit by the lake in the woods. There is a tiny conflicting voice that is telling me to get to “work”.

sit by the lake for ideas

But I am finding that the gift of that time by the lake makes it easier to get to work later. Hmmm?

So I offer you this challenge:

  • Find some wilderness nearby, woods, lake, ocean, park
  • Go there walk, sit and breathe it in
  • See if this gift of time in nature improves your “work” time

gelatin prints on tea bags

I get many ideas and inspiration from the woods:

Hope I have encouraged you to walk in the woods today.

shadows make good stencil images

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Boundaries create Space – art approach

Boundaries give you limited choices and then you figure out how to make things work.

gelatin prints on tea bags

What would be a boundary in gelatin printmaking?

  • Limit your stencils to 3 – 5
  • Work with only 2 colors
  • Print 3 layers or less

So often we are so excited to play with lots of stencils and mark making tools. And as a result our prints can be confusing and chaotic.

art fuel your local center

So as the physical excitement to use all your tools at once mellows, I challenge you to create a boundary for your next printmaking session. Pick something that supports your style. It may feel uncomfortable at first, but that when the magic starts to happen.

delicate gelatin monotype print by linda germain

One way to impose boundaries is to join a class, then the teacher gives you exercises and assignments.

The 100 Print Project starts soon and is structured to guide you to take many small steps to create a 100 print installation. READ the details on the printmaking workshop page.

installation of gelatin prints

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Re-work the ashes of 2020

In the last post, I did an exercise to release the troubles of 2020 and create new opportunity for 2021.

I took plenty of time and played with the ashes and bits of paper that remained.

They were delicate, fragile and kind of beautiful.

burn your fears and worries

I dumped out the ashes and considered the possibilities.

I thought about:

  • Using the ash like charcoal
  • Mixing it with a medium like paint
  • Nourishing a potted plant

But I found the bits of paper that survived the burn to be the most interesting. So I glued them into a small accordion book and began to respond.

accordion book

I took several days to live with the materials. I added:

  • smudges and scribbles
  • tea stains
  • bold words and light marks

I think I created a little book of celebration and hope.

I hope you get the chance to do a similar celebration of letting go and looking to the future.

mixed media book linda germain

One way to welcome the new year is to join us in the 100 Print Project. It is an online gelatin printmaking class that encourages:

  • working with lots of transparent layers
  • pulling 100’s of impressions
  • developing you design and composition skills.

Read the details on the 100 Print Project workshop page.

gelatin print by linda germain

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