Two new artmaking habits

©2010 linda germain
mixed media artist’s book
aprox 7″ x 14″
Two tools that I learned at Haystack that I want to build into my art habits are:
  1. Use a free write to focus an idea for a project.  We used a word or a sentence as prompt and then wrote off the top of our heads for 10 minutes or so.  This is not something that I would usually do but I think it will come in handy for some upcoming projects.
  2. Choose a small object to draw everyday.   Simply draw it, date it and file it away. Sas Colby did this with her “Bunny Series.”

I have a show of gelatin prints coming up in January and the theme is lost and found. I think I will use the free write to find some language to talk about the prints and the theme.  I have started drawing an old doll that I had as a kid.  She is in pretty rough shape, but I am committed to drawing her each morning.

Post by Linda Germain

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Two Gelatin Print Tips

Use Newsprint to absorb excess moisture. © 2010 linda germain
I may have said this before, but I think it is very helpful.  The more prints I make the more I would like to be able to predict the outcome.  So lately I have been taking the gelatin out of the refrigerator and covering it with newsprint and letting it warm up to room temp.  It is about 68 -70 degrees these days.
Gelatin can get a tough skin over time. ©2010 linda germain
Today I experimented with the two sides of my gelatin.  The print on the left was made on the surface that had been exposed to the refrigerator air for a week or so.  You can see that the ink did not transfer to the paper as well as the one on the right. The print on the right was made with the underside of the gelatin.  I flipped the gelatin over and the surface was “moister”  (had more water in it.)  So bottom line when things are not working they way I like I start asking questions and try to figure what is affecting the transfer of ink.  Check out my gelatin print tips page.  These are factors that I am aware of
  1. Room temperature
  2. age of gelatin
  3. smoothness of the surface of the paper
  4. moisture in gelatin
  5. moisture in ink
  6. type of ink
  7. method used to burnish
  8. type of paper
  9. type of stencils and tools used

     

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20 ways to Put a little "Haystack" in your day

© 2010 linda germain
5″ x 6″ X 2″ copitc stitch book with sea shells and prints

 Okay so Haystack is really a whole experience not just one outstanding class, meal, lecture or accomodation.  Today when I was walking in the woods by the lake and putting a little “Haystack” in my day I started thinking about all the ways I could bring that Haystack experience into my days.  Here’s what I came up with so far.

1. Get up when the sun or cold wakes you up.

2. Eat good food at 8 AM , Noon, and 6PM

3. Don’t use the tv, telephone or internet or radio

4. Don’t talk on your cell phone around others or in your studio space

5. Listen to other artists talk about their art for 2 hrs a day

6. Use poetry and writing to give you a focus

7. Walk in the woods

8. Swim in the ocean

9. Sit by the sea

10. Sleep on a very firm twin bed

11. Eat Fruit or cookies anytime you feel like it

12. Be in your studio at set times like 9-12 or 1-4

13. Find an art friend and talk about your process/project

14. Work less and make art more

15. Make your art your priority (in some way/at some time)

16. Drink water instead of soda

17. Put your name on your beer

18. Share wine at supper with your friends

19. Eat 3 healthy veggies at lunch and dinner

20. Be open to learning from everyone you meet today

Post by Linda Germain

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Three great things about Haystack

Three things that were great about Haystack – the people, the place and the project.  It was still 90 degrees all week but I had the crystal clear ocean to cool down in.
My routine was
  • get up when I woke up,
  • do morning pages by the shore or in the woods,
  • breakfast at 8:00 – wonderfully prepared for us
  • in the studio by 9 AM to noon for demos, sharing, instruction or artmaking
  • noon Lovely lunch –  which I ate fast so I could get in a
  • walk to the point and a refreshing swim in the ocean
  • 1:30 – 4:30  More studio time with classmates and instructors
  • 5:00-8:00 my work study duties in the kitchen (with time off in the middle to eat)
  • 8:00-9:00 Artist’s talks
  • After that either crash or work in the studio
It was a busy week and next time I would try to go for 2 weeks.  I had just got settled in to the routine and was able to work until 2 AM and it was thursday and I had to think about leaving in 2 days.
dining hall at Haystack

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Back from Haystack

So needless to say I did have a life changing experience at Haystack.  I did not realize all that I was learning and how supported I was until I got home to my studio.  The amazing location, accommodations and community is like a cocoon for the artist.  I found myself wanting a bit of community yesterday.  However when I was at Haystack I often sought out a solitary place to work, eat or rest.  Do I want what I can’t have?  Hmm?  So this is a picture of the Haystack truck with the lobster hood ornament.

Some of the transparent books that I worked on while at Haystack.
© linda germain 2010

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