I have been playing with gelatin printing on fabric for several years. I have a big pile of monoprints.

The pieces are just waiting for a project.

1 – Print in a similar color scheme and even if the marks are different the fabrics can be coordinated.

2 – Use the same kind of fabric and then the small printed pieces can be sewn together for a bigger project.

3 – Try to make fabrics with light to dark impressions. They will combine for a stronger design.

4 – I like to use the “passage of time” method to set my inks. I have tried ironing and dryer heat setting, but my most reliable method is to just wait a few months to a year to wash the fabric.

If you are interested in learning more about monoprinting fabric with the gelatin plate, then check out the details on the workshop page. This online class starts soon.

1 –  I think that the most important supply is nice old 100 % cotton sheets from the thrift store.

These high quality old sheets:

• Create a freedom to explore, because they are not precious
• are pre-shrunk and ready to print on
• usually absorb ink/paint nicely

2 – A spongey brayer that fits your print size. I like this 2″ soft foam brayer with a smooth surface (red handle) that I found at hobby lobby. I like this size because I work small and textured. The speedball soft rubber brayers work too.

3 – Ink or paint that stays workable and is compatible with your project and fabric. I did a blog post on my experience, but it is best to experiment on your own.

Other supplies, stencils, mark making tools and the gelatin plate.

If you are interested in joining us in the online printmaking class, Monoprinting Fabric, then read the details on the workshop page.