Where to do find source material?

Sometimes, I just stare at my phone. Which app will fill the moment?

phone for inspiration

Hmm, that is kind of scary to me. Looking to  some “curated”  system to entertain me in the moment. So I have created a way to inspire myself with my own photos.

camera roll for ideas

It may sound silly but I scroll through my camera roll instead of Instagram or Facebook. I am in charge or what I see and I am reminded of my process and success.

annotate your photo to inspire

I have annotated a few images with words and put them in a favorites folder.

silhouette cast shadows

I often use cast shadows of grasses and leaves in my drawing practice.

A quick scroll through my images reminds me of the fun I have had over the last few weeks. And how much art work I have produced.

I offer this idea to you.

Maybe your life,

  • your environment,
  • your family, and
  • your own camera roll can be a source of art making ideas.

Try it!

One way I have used photos as source material is to make stencil. Check out this blog post.

Where to do find source material? Read More »

Time to admire – gelatin printmaking

Gelatin Printmaking can be fast and furious. The process lends itself to pulling lots of prints and layers with minimal preparation.

abstract landscapes Linda Germain

It is easy to get lost in the process.

print cards with the gelatin plate

I often tell my students that it can be like a roller coaster of ups and downs. I may pull several pleasing impressions to be followed by several ugly prints.

gelatin prints by linda germain

To enjoy the roller coaster ride of gelatin printmaking:

  1. Know ahead of time that there will be prints you like and others you don’t
  2. Focus on the things you like, rather than the problems
  3. Take time to admire your successes. Pin it to the wall, stand back and enjoy.

Another tool I use to create success in my printmaking, is to embrace the 80/20 rule. If I get 2 outstanding prints out of 1o then I consider it a success. Those 8 other prints inform and create space for the magical pieces that I really love.

grass print by linda germain

If you want to create more pleasing gelatin prints, then join us in the online class, Monochromatic Mountains. Read all the details on the workshop page.

Time to admire – gelatin printmaking Read More »

3 reasons to take an online art class

I love taking art classes in person and online.

art workshop

When I need some inspiration for my art practice taking a class often helps me generate new ideas. Often the class is a new subject or technique. Or sometimes I take a class because I love the teacher and her philosophy stimulates my process.

workspace - linda germain

Recently, in person options have been limited, so online art classes have been my choice.

mountain scapes

Online workshops are great because:

  1. I have access to the lessons right from the comfort of my studio. No travel, traffic or parking challenges. I have all my tools readily available and I don’t have to pack up or lug supplies to the workshop location.
  2. More bang for my buck. Online classes are often much less expensive than an in person class. Also I enjoy the benefits of feedback and encouragement from a wider group of classmates. Influences of an international group of students in online classes is unique.
  3. I don’t have to take notes or worry about missing key skills. Most online workshops are downloadable or have lifetime access. So I can watch videos and do lessons over and over again. And each time I learn something new from the same material.

I hope I have encouraged you to check out online art classes to inspire and support your art practice.

If you are interested check out the current online art classes that I am offering.

monochromatic Mountains

3 reasons to take an online art class Read More »

Value matters – Printmaking

Sometimes, I look at a print that I am working on and feel that something is missing. I need something to make it pop or something to pull it all together.

gelatin print with hand stamped marks

Often I can do that by adding a very dark mark or a very light mark.

mountains scape by linda germain

Value, the range of light to dark is often over looked. Color is easier to see so it often gets more attention.

Some painters do grey scale “drafts” before they paint with color.

range of value

One way to check for range of value is to take a black and white photo of your print. Do you see some very light areas as well as some very dark marks?

abstract landscape gelatin prints

Another way I check for range of value is to squint at the print. If it blurs into one soft medium mass, then I need to look for ways to add dark darks or light lights.

If you want to build your skills for creating prints with a strong range of value, then join us in the upcoming online class, check out the current printmaking classes.

Value matters – Printmaking Read More »

Magazines and books – sources of inspiration

Once or twice a year I get a stack of old magazines from a library or other recycling source.

Stencils from magazines

It is a treat to feast on the pictures and text. I cut stencils and roll pages into mark making tools, make collages and more.

book as photo subject

I go through the magazines several different times for collage and drawing projects.

cut up book pages for collage
cut out word poems

Parts of the magazine that inspire me:

  1. Words – for found poems and collages
  2. Fonts – for drawing
  3. Photos for drawing references
  4. Thumbnails of larger pictures – composition ides
  5. Illustrations – for drawing ideas
  6. Figures and silhouettes for stencil making

poems from magazines

So go to your library or recycling center and get a stack of magazines and make stuff. The images and words that you find are a jumping off place for your own uniques expression. Twist, crop and rearrange the words and images to make something new.

Make some origami boxes – There is a free tutorial here.

origami box from magazines

 

Magazines and books – sources of inspiration Read More »