Fine line details possible with screen printing

Every printmaking process has its advantages and disadvantages. I try to keep that in mind when I am choosing a process for a certain design.

For example, gelatin printmaking is experimental and unpredictable. So I use that process for one of a kind, layered and textured designs.

mixed media gelatin print by linda germain

Block printing is great for bold shapes and repetitive patterns.

hand printed cards by linda germain

For fine lines and details of sketches I like to use emulsion based screen printing techniques. You can buy emulsion coated mesh screens from EzScreenPrint.com The eliminates the need to coat and create your own emulsion screen. This is great for folks who do not have a large space or who want to print smaller sized images. Thermofax screens are an emulsion based process as well.

I have been exploring the EZScreen Print process, because I have not been happy with the way my Thermofax machine has been burning screens.

EzScreen Print on fabric or paper

Lower left is screen with image “burned” into it.

“Burning screens” means to create the design on the emulsion screen. Emulsion is light sensitive. It hardens on the mesh screen when it is exposed to light.

So you take a black and white image printed on a clear transparency. Tightly sandwich the image to the coated screen and expose it to light. The light hardens all the space around the black image. The emulsion under the black image is still soft.

The next step is to soak the exposed screen in water. The soft emulsion that was under the black design washes away and you are left with a screen with tiny holes only where the black image blocked the light.

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