Stencil Cutting Skills

One of the key skills that we will be developing in the upcoming class, Hand Printed Cards with the gelatin plate, is stencil design and cutting.

Gelatin prints with tyvek stencils

I was inspired to improve my stencil making skills when I took a class with Beatrice Coron. She is a storyteller and paper cutter. Enjoy her Ted Talk below.

In the upcoming class we will be creating designs that are sturdy, connected and good for printing with on the gelatin plate. I like to use Tyvek® because it is very strong and pretty easy to cut. This allows me to pull hundreds of prints with one stencil.

Gelatin Monotype by Linda Germain

If you want to practice your stencil cutting skills then download and print out this pdf, Stencil Cutting Practice sheet. Remember to use a sharp blade and breathe. 🙂

The stencils that we will design and cut in class will be a little different than what I call the “hole” stencil.  They will be connected shapes shapes on a border, like paper cuts.

cut tyvek stencil for printmaking

If you think you might like to learn these skills, the check out the details of the online printmaking class, Hand Printed Cards with Tyvek® stencils and the gelatin plate and join us today.

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Send cards – a new tradition

Gelatin Printmaking is a great process for making one of a kind cards for all occasions. The process is fast and very satisfying. My biggest challenge is inky fingers.

hand printed cards

You can always cut and collage pieces of prints from you existing stash of prints. To do this I like to make a view finder and crop them down to size.

view finder for cropping prints

To find a pleasing composition:

  1. Hover over the print with the view finder looking for dynamic balance.
  2. When you find it pierce a tiny hole in the print at the inside corners of the view finder.
  3. Flip the print over and draw square cutting lines between the tiny holes
  4. Cut the print to size

collaged cards

I did the crop, cut and collage approach with the cards in the image above. You do have to take care to make things square and cut straight line.

Another approach to card making is to print your original image in the folded card format. This is a good way to go about it if you want to make a lot of cards with a similar design. I used this method in the cards below.

hand printed cards using tyvek stencil

I use a very strong Tyvek® stencil, water based ink and the homemade gelatin plate. This allows me to make a series of cards that are based on the same image, but all a little bit different. This makes the process more freeing and creative.

gelatin monotype cards

You can get two types of impressions from the one stencil. The first print is the one on the right below. I is solid black with the white of the paper showing where the stencil blocked the transfer of ink.

tyvek stencils for gel printing

The second impression is the one that I really like. It is the print on the left. I call it the detailed impression, because it captures the details under the stencil.

This detailed impression can be unpredictable and challenging to capture. The ink needs to stay alive and stick to the plate rather than the stencil.

If you want to cut some nice strong stencils and pull a pile of hand printed cards, then check out the details of the upcoming online class, Hand Printed Cards + the gelatin plate.

hand printed cards online workshop with Linda Germain from Linda Germain on Vimeo.

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Embrace your mistakes

Mistakes can be frustrating if you are working hard and put a lot of time and energy into a print. But I try to make art in a way that mistakes are not so painful. I try to see mistakes as a normal and necessary part of gelatin printmaking.

abstract gelatin plate monotype print

Things I do to embrace my mistakes:

  • I use paper that is not too expensive or precious
  • Adjust my expectations, I am satisfied if 2 out of 10 prints are awesome.
  • Recycle and repurpose those less than perfect prints. (this can create a rich printing surface that hopefully draws the viewer in.)
  • Try to identify what is not working and adapt my approach next time
  • Notice what I do like and carry it into future prints

gelatin plate monoprint

How do you feel about mistakes? Are they a friend or foe?

If you have a pile of “mistakes” and would like to rework them, check out the Gelatin Print Project part 2.  You can join us in part 2 if you did not take part 1 as long as you have some experience working with stencils and stamping tools on the gelatin plate. Or you can still take part 1 as well.

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Speedball block printing ink for Gelatin Printmaking

I use speedball water soluble block printing ink for gelatin printing with the homemade glycerin and water plate.

ink and brayers for printmaking

I know a lot of folks use a variety of acrylic paints with the commercial plates that you can buy. One of my mottos is to “use what you have.” It is more common to have acrylic paint than block printing ink, so it makes sense that a lot of people would print with acrylic paint.

I have tried gelatin printing with:

  • inexpensive craft paint
  • Golden open acrylics
  • gouache
  • Akua liquid pigment
  • Akua intaglio

They all work to produce a monotype print. The important question is can I obtain the kind of marks, impressions and layers with any given ink/paint.

When trying a new ink, I like to buy a small tube of black ink and print with it and see what is possible. That way I have not invested a lot of money in supplies before I know if I like them. (Believe me I have done that many times)

I wanted to share why I like the speedball water soluble blocking inks when printing with the homemade gelatin and glycerin plate.

  1. They are water based and the plate is water based which means they roll up nicely and should not bead up on the plate.
  2. They are non-toxic.
  3. They are super easy to clean up with water.
  4. A little goes a long way. One dollop of ink can last several printing sessions compared to a dollop of acrylic paint.
  5. It is important to me that the ink stay wet and workable. Speedball inks can be reactivated with a spritz of water and a drop of glycerin.
  6. The have the proper viscosity to roll up with a brayer.
  7. But the most important factor is that I like the type of impressions that I can get with the speedball water based block printing inks.
    • I can get light transparent layers
    • Lots of ghost impressions
    • Lovely detailed impression from the ink under my stencils
    • The ink sticks and transfers from brayer to plate to stencils/tools a finally to the paper.

Of course the ink has limitations and draw backs, but for the kind of printing I do, I can accept them.

100 print project

The biggest limitation is that the ink does not dry fixed. So if it gets wet with water or glue the image can smear. I overcome this by working quickly and with light pressure.

ink in tubes

I use every last drop. I cut the tube when the ink gets low and scrape out ink as needed.

speedball water soluble block printing ink for gelatin printmaking

I hope this helps you when you go to buy and test out a new ink for gelatin printmaking. If you would like to explore gelatin printmaking with speedball block printing inks, then join us in the online printmaking class, Gelatin Print Project. Class starts soon.

 

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5 helpful printmaking posts

I wanted to share a few posts that I think will help your gelatin printmaking process.

1. Printmaking and papers

stack of tissue paper prints

Paper choice is very important. Choose papers that support your creative spirit. More details here

2. Value Matters

mountains scape by linda germain

A range of value from very light to very dark is often overlooked. Color is so exciting, but value matters more. Read more and think about your prints.

3. Tweak your found stencils

Delicate grasses make great stencils

I love using found weeds as masking stencil and sometimes I have to give them a haircut to get the delicate impressions that I like.  Read more about preparing found stencils here.

4. Three uses for glycerin

glycerin as a retarder

Glycerin can be hard to find, but I have found it very useful in the water based printmaking process. Get the details here.

5. “Save” that gelatin print

thumbnail image print

In this post I share 3 ways that I use imperfect prints. Enjoy!

 

 

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